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The Pemmican Eaters, by Marilyn Dumont
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A picture of the Riel Resistance from one of Canada’s preeminent Métis poets
Winner of the 2016 Stephan G. Stephansson Award for Poetry
With a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.
Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.
- Sales Rank: #3477432 in Books
- Published on: 2015-04-14
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .30" w x 5.40" l, .0 pounds
- Binding: Paperback
- 96 pages
Review
“A rollicking poem about the fiddle ('the first high call of the fiddle bids us dance/baits with its first pluck and saw of the bow/reels us, feet flick — fins to its lure and line') becomes a statement of cultural pride and defiance — much like The Pemmican Eaters as a whole.” — Toronto Star
“Dumont’s work is visual and evocative, highlighting recurring symbols and images of a natural world that will be familiar to any dweller of the Prairies . . . The Pemmican Eaters builds off the poet’s earlier work and highlights a writer who has mastered both craft and voice.” — Quill & Quire
“Dumont honours Métis traditions in music and beadwork in a number of lyrically driven poems. The Pemmican Eaters is a statement of cultural pride and defiance, much like Marilyn herself.” — CBC News Online
“Marilyn Dumont uses both rhythmic and free verse to provide a brilliant and insightful look at Métis and Cree people.” — Scene Magazine
“It’s a book whose connections to the world are so multitudinous that you keep putting it down as you’re reading to share something fascinating, and then when the book is done, you go out walking down the street, and the connections all come back to the other way.” — Pickle Me This
From the Back Cover
A picture of the Riel Resistance from one of Canada’s preeminent Métis poets
Winner of the 2016 Stephan G. Stephansson Award for Poetry
With a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.
Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.
About the Author
Marilyn Dumont’s poetry has won provincial and national awards. She has been the writer-in-residence at five Canadian universities and the Edmonton Public Library as well as an advisor in the Aboriginal Emerging Writers Program at the Banff Centre. She teaches sessional creative writing for Athabasca University and Native studies and English for the University of Alberta. She lives in Edmonton, Alberta.
Most helpful customer reviews
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A pull of the bow across the string of the fiddle
By Lorraine Berry
I don't often start a review by saying that a book reminded me of something else, but this gorgeous book of poetry was accompanied by a haunting song that I heard sung live several years ago. The Wailin Jennys introduced a song that they had recently written called "Starlight." The women explained that, in their native province, scandal had broken when it had been revealed that police were picking up First Peoples' women late at night, and leaving them to die in the cold miles from home.
The words of Marilyn Dumont's THE PEMMICAN EATERS feel like the pull of the bow across the string of the fiddle, the high notes hit by a woman in childbirth, the clutch at one's heart when one hears bad news. The words are gorgeous as the matters they call to mind are hard to think with, hard to let in; for me, I needed the melody of someone else's song so that I could try to translate how Dumont's words made me feel.
Rather than quote from a poem out of context, even though the words are capable of standing on their own, I will suggest that you purchase this book and support the work of this artist.
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