PDF Download How To Improve Your Chops Without Playing A Note: For Brass & Winds, by David Boe
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How To Improve Your Chops Without Playing A Note: For Brass & Winds, by David Boe
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Completely revised and updated for 2016-17. New Cover!
Do you love playing but can't put in enough hours to keep your chops in top shape? This little book describes simple isometric exercises that can help to keep your "face" in shape. And if you're already in great shape, this shortcut will make you even stronger; the best shape of your life.
An updated YouTube video demonstration of the "Primary Exercise" may be seen here:
https://www.youtube.com/watch?v=Q3gyAVvuGXQ
Latest update: The update includes new exercises and revised descriptions of all aspects of the book. "How to Circular Breathe," and "My Super Secret Trick for Playing a Double High C." You can also see a new You Tube video of the author playing a double C (and higher) here:
http://youtu.be/B6MUtKv_hDI
Within only a few days of doing the exercise during his daily commute, a top principal trumpeter for a major European orchestra reports that his chops are in "the best shape of my life," and that his colleagues are complementing him on his tone, range and endurance.
Other reviews and comments include many more success stories. Part-time players report full time chops! This technique allows you to achieve in only minutes what would normally require many hours of practice time in terms of muscle development of the embouchure.
In a revolutionary new approach to improving performance on wind instruments, author David Boe unveils unique set of exercises that allow musicians to strengthen the facial muscles, and do so without playing the horn.
Combining scientific research on muscle development with decades of personal experience and observation, Mr. Boe has devised a completely original method that has proven tremendously beneficial to players at all levels, including the highest level professional performers.
This is the first and only method to exclusively focus on the benefits of muscle development of the embouchure without using an instrument or mouthpiece.
The exercises described are especially useful because they can be completed without any additional tools or objects and are performed in complete silence. When added to a musician's regular practice routine, the exercises can save significant amounts of time by making precious hours of practice time much more productive.
Enhanced muscle strength of the embouchure has been shown to yield tremendous benefits in several areas of particular interest to wind musicians, especially players of brass instruments. Many players report significant improvements in RANGE, ENDURANCE and FLEXIBILITY, with further improvements in TONE QUALITY and overall sound production.
This small ebook costs only a fraction of what you would pay for a lesson from a top professional, and you can easily read it in less than an hour. Yet it has the potential to revolutionize your playing as a professional, student, or amateur musician.
Coming soon as an new, updated audio book!
- Sales Rank: #77906 in eBooks
- Published on: 2012-12-06
- Released on: 2012-12-06
- Format: Kindle eBook
From the Author
As a trumpeter for over 45 years (I started when I was 10), I've learned some things about playing a wind instrument that I would like to share with other musicians.
Several years ago, I became interested in personal fitness, and began to experiment with muscle development as it related to playing the trumpet. As a result, I developed a set of specific exercises that directly work the embouchure muscles that are of particular interest to players of wind instruments.
After several years of developing these straightforward and simple concepts, I am pleased to offer them to my fellow musicians for the first time.
The result of my research is my book, "How To Improve Your Chops Without Playing A Note."
The common sense approach of this e-book has the potential to revolutionize the performance of many players by allowing for highly efficient and effective embouchure development to take place outside of the practice room.
About the Author
David Boe is a trumpet performer, teacher and author. He lives in Portland, Oregon, where he has held the position of Principal Trumpet with Portland's Jewish Community Orchestra since 1998, and has played lead trumpet with the Carroll Raaum Swing Orchestra since 2006.
Most helpful customer reviews
2 of 2 people found the following review helpful.
best trick ever
By jackie sauriol
I have been playing trombone for 25 years; I also work a full time desk job
and practicing on my lunch hours is not that easy; for me these exercises are
the difference between struggling and having fun playing!
After doing this exercise for just 2 days, (about 20 reps) my stamina increased
noticibly, and at the end of my next gig I still had power.
I have buzzed mouthpieces for years and even learned to buzz without a mouthpiece,
but more than any single aspect of horn practicing this method can change what's possible
in short order!
Jackie Sauriol, Portland, OR
1 of 1 people found the following review helpful.
Excellent for keeping your chops in shape!
By Richard Uchytil
This is a fantastic book and technique! A quick read, explained very well. I have very limited time to play my trumpet - over the last month I have had zero time. But I could do this easily, driving to work in the morning, at lunch, & driving back each day. After a month of doing only this I finally picked up my trumpet and was amazed! My chops are actually in really good shape! I used to buzz my mouthpiece on the way to work & on the way home. It was better than nothing, but doing this is TONS BETTER!! I HIGHLY RECOMMEND this for anyone who needs to keep their chops in shape! Great job, David!!!!!
2 of 2 people found the following review helpful.
A great excercise
By malkemus
I have been practicing the exercise described in this book for several months now and find it to be incredibly useful during the periods in which I am unable to play my horn. After about two weeks of practicing with this exercise multiple times a day, I was able to play lead trumpet with unually strength without the usual exhaustion. I would strongly recommend this book to any trumpet player that finds it sometimes difficult to practice as much as they wish they could.
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