Tuesday, November 26, 2013

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Polarisation: Applications in Remote Sensing, by Shane Cloude

In this monograph S.R. Cloude introduces, for the first time, the topics of radar polarimetry and interferometry. This topic was first developed in 1997 and has since developed into a major topic in radar sciences and its applications, in particular to space sciences. In its simplest form it concerns the study of interferograms formed by combining waves with different polarizations and their exploitation to infer important physical properties of the planetary surface being investigated.

Written in three main sections, the first four chapters provide a detailed coverage of all major topics of polarimetry, including its basis in electromagnetic scattering theory, decomposition theorems and a detailed analysis of the entropy/alpha approach. The next chapter offers a brief introduction to radar interferometry, before developing in three chapters the important new topic of polarimetric interferometry. In this way it provides a complete treatment of the subject, suitable for those working in interferometry who wish to know about polarimetry, or vice versa, as well as those new to the topic who are looking for a one-stop comprehensive treatment of the subject. The emphasis throughout is on the application of these techniques to remote sensing and the book concludes with a set of practical examples to illustrate the theoretical ideas.

  • Sales Rank: #3026869 in Books
  • Published on: 2009-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.10" w x 9.70" l, 2.60 pounds
  • Binding: Hardcover
  • 352 pages

Review

"Polarisation is promising as a reference for quantitative specialists outside the radar community who want to understand what polarimetry has to offer their particular field. It is also a fine reference for students who need to learn and keep the notation straight for coding and experimental design. It is a worthwhile book to keep on your shelf if you ever want to relate a particular polarization-based, remotely sensed finding to your own research."--Physics Today


About the Author

Professor Cloude is a leading expert in the field of radar remote sensing. He currently leads AEL Consultants, offering training courses and applied research for customers in radar remote sensing, following a distinguished academic career including Honorary Professorships and Chairs at the Universities of Dundee and York, the Macaulay Land Use Research Institute in Aberdeen, Scotland, and the University of Adelaide. In 2001 he was appointed a Fellow of the IEEE for his contributions to the development of polarization techniques in remote sensing. He has received major awards for his work.

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Sunday, November 24, 2013

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Maitland's Clinical Companion: An Essential Guide for Students, 1e, by Kevin Banks BA  MCSP  SRP, Elly Hengeveld MSc  BPT  OMT  SVOMP

This reference is ideal for students who need support during their neuromusculoskeletal clinical practice in areas such as communication, clinical reasoning, examination and assessment. It is a vital source for understanding the role of mobilization and manipulation in helping to maximize the recovery, rehabilitation and functioning of patients with movement-related disorders. The principles of the Maitland Concept of Manipulative Physiotherapy are applied to each body region so as to guide the student through to the appropriate selection, application and progression of mobilization and manipulation techniques within the context of contemporary physiotherapeutic rehabilitation. A vital companion to the classic texts – Maitland's Vertebral Manipulation and Maitland's Peripheral Manipulation – which promotes a patient-centred approach to neuromusculoskeletal disorders.

  • Learning objectives and self-assessment questions in every chapter enables students to reflect on their knowledge
  • Case studies highlights key aspects of the concepts to clinical practice
  • Clinical profiles for common neuromusculoskeletal conditions
  • Techniques described and accompanied by over 500 images
  • Picture key to identify types of examination, decision-making and techniques within the text

  • Sales Rank: #807458 in Books
  • Brand: Banks, Kevin/ Hengeveld, Elly
  • Published on: 2009-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.30" h x 5.20" w x 7.80" l, 1.95 pounds
  • Binding: Paperback
  • 672 pages

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4 of 4 people found the following review helpful.
Great content - Terrible formatting
By Amazon Customer
I was excited to see this text available on the kindle and promptly bought it. I used my iPad (2nd gen) to read it.

Pro: The content is good and the authors do a good job presenting this method.

Con: The formatting as a kindle text it atrocious. Numerous issues with lack of flow, charts being choppy, and general layout problems. It was so bad that many times I spent more time trying to follow the flow of the formatting than the actual information contained in here.

So get the book if you want a good description of a great manual therapy system. But don't get it on the kindle.

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Saturday, November 23, 2013

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The Post-American Presidency: The Obama Administration's War on America [Hardcover], by Pamela Geller (Author) Robert Spencer (Author) Joh

  • Published on: 2010
  • Binding: Unknown Binding

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Thursday, November 21, 2013

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The Art of Fiction: Notes on Craft for Young Writers, by John Gardner

This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers—and will continue to do so for many years to come.  
 
John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of a refined sentence. Written with passion, precision, and a deep respect for the art of writing, Gardner’s book serves by turns as a critic, mentor, and friend. Anyone who has ever thought of taking the step from reader to writer should begin here.

  • Sales Rank: #27799 in Books
  • Published on: 1991-06-04
  • Released on: 1991-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.00" l, .51 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Writers, Fiction, the are of...Notes on Craft for Young Writers
  • ISBN:0679734031
  • John Gardner copyright 1983

Review

"It will fascinate anyone interested in how fiction gets put together.  For the young writer it will become a necessary handbook, a stern judge, an encouraging friend... In the first half of the book, Gardner investigated just what fiction is.  In the second half, he treats specific technical matters. The Art of Fiction is filled with lecture counsel, wise encouragement." -John L'Heureux, The New York Times Book Review

"A densely packed book of advice to all writers, not just young ones... It is serious, provocative, and funny, and I recommend it to anyone who cares about literature."- Margaret Manning, The Boston Globe

"He lays out virtually everything a person might want to know [about] how to say it, with good and bad examples and judgments falling like autumn leaves in a November storm." -William McPherson, The Washington Post

"The next best thing to graduate workshop in fiction writing. Drawing on examples from Homer to Kafka to Joyce Carol Oates, Gardner unravels the mysteries of plot, sentence structure, diction, and point of view." - Book-of-the-Month Club News

From the Inside Flap
"John Gardner was famous for his generosity to young writers, and (this book) is his . . . gift to them. The Art of Fiction will fascinate anyone interested in how fiction gets put together. For the young writer, it will become a necessary handbook, a stern judge, an encouraging friend."--The New York Times Book Review.

About the Author
John Gardner was accorded wide praise for his works of imagination, of criticism, and of scholarship.  He was born in 1933 in Batavia, New York.  Among the universities at which he taught are Oberlin, San Francisco State, Northwestern, Southern Illinois, Bennington and SUNY-Binghamton. The Art of Fiction was completed before his death in 1982.

Most helpful customer reviews

144 of 151 people found the following review helpful.
Still relevant for writers today
By Debbie Lee Wesselmann
I recently re-read this classic book on writing fiction, and found it as relevant today as it was when it was first published. Because Gardner strives for "higher art", his musings and instructions for the beginner go much deeper than ordinary how-to books. His lengthy chapter titled "Interest and Truth" gets to the heart of what fiction needs to be, whether one is writing literary fiction or a crime novel. His "Common Errors" chapter, although relatively short and sounding as basic as one can get, offers some of the best advice on how to improve one's writing, from suggestions to creating dynamic sentences to how to imbue narrative with emotion. "Technique" covers topics such as paying attention to rhythm and word choice and building narrative suspense. Although I yawned during the chapter on plot - Gardner's diagrams and attempts at describing structure were too mechanical for my tastes, I'm sure some readers will read it voraciously. Likewise, his thorough compilation of writing exercises will have some reaching eagerly for their keyboards. I found that the sections that had interested me on my first reading years ago were not the same ones that intrigued me this time, suggesting that this book can grow with the writer.
The biggest flaw in this book, and one which might drive some readers away, is Gardner's personal biases. His intense interest in myth and classics drove his fiction, and it weighs heavily in the examples he provides. Also, he favors examples from his contemporaries - Barthleme, Coover, Barth - who might not interest younger writers who read a different set of cutting edge authors. Still, you need not be familiar with Gardner's examples to understand his points, as he himself makes few assumptions about the reader/student.
Even professional writers can benefit from Gardner's reminders since a revisiting of ideas can only sharpen one's fiction. Aspiring writers will leave these pages with an eagerness to attack their own work and with a set of wise guidelines to help them achieve their best work.

230 of 252 people found the following review helpful.
The best Creative Writing text book there is.
By JR Pinto
I bought this book about ten years ago; it was the text book in an undergrad Creative Writing class. It wasn't until last year that I really read it. I have just finished reading it again for the second time.
I think that all of Gardner's advice for beginning writers is valid. I was shocked at the negative reviews that some other readers have posted. They find fault with Gardner because he makes reference to classic works of literature. First off, one does not have to have read EVERY book that Gardner makes reference to in order to understand his point.
What shocks me is that people seem genuinely offended that Gardner thinks that aspiring writers should read! EVERY creative writing teacher expects his students to read as much good literature as possible. Why is this? Because IT IS IMPOSSIBLE TO BE A GOOD WRITER UNLESS ONE IS WELL READ. You don't believe me - just ask Stephen King. If you are offended that Gardner expects you to be familiar with names like Hemmingway and Faulkner, you should be ashamed of yourself.
The elitism argument isn't even supported by the text. Sure he talks about Homer and Shakespeare, but he also comments that great writing can also be found in Spider-Man comic books and other unlikely sources. (I am comforted because the negative reviews themselves are not very well-written.)
These are dangerous times we live in. People no longer want to hear that they can't just pick up a pen and be the next Fitzgerald. And who's to say that Fitzgerald is any better than James Paterson, say? It's all relative, is it not?
It is not.
This is a book for the serious writer - for ANY writer who wishes to write better. In order to do that, one must do the work. If this book makes writing sound like a hard thing to do, that is because WRITING IS A HARD THING TO DO. If it is not, you are doing it wrong.
Gardner covers all aspects of fiction techniques: plot, style, genres, voice - everything a beginning writer NEEDS TO AT LEAST CONSIDER. If you don't like this book, find another book on the art of fiction...but I fear you will have the same reaction. Any creative writing book worth its salt will offer the same advice.

72 of 76 people found the following review helpful.
Absolutely and unequivocably the best
By Sunnye Tiedemann
I wish this book didn't specify young writers in its subtitle because that's likely to turn away older writers if they haven't heard about Gardner and his books. That would be quite a loss but for Gardner and the readers.
As a published author of many book reviews as well as magazine articles and newspaper pieces, I was at a loss as to where to turn when I needed advice on writing fiction. My solution was to take a course and this book was the required reading. Otherwise I would have overlooked it since I would in no way classify myself as young.
It's simply one of the best books available, especially for those who want to write literary fiction and who care about the quality of his/her writing. Character building, plotting, vocabulary, sentence structure, style and the idea of fiction as a dream are studied in depth here. It is a book to be studied and re-studied, read and re-read, for as the reader practices writing fiction and gains more experience, there's more to be found.
At the back of the book there are exercises. These are best done in a group so that you can get the benefits of others' critiques. The concepts here are deep and often open to more than one interpretation -- those come out in a group setting.
Read carefully. Be sure you understand the subtleties of what he's saying. If you give this one a shallow reading, you're likely to misinterpret. If you do, you'll loose a lot.
I'd put this at the top of my favorites books in a list of books for writers along with Jack Bickham's, Dwight Swain's and Gary Provost's books on the craft.

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Monday, November 18, 2013

[R178.Ebook] PDF Download Taylor Swift: The Whole Story FREE SAMPLER, by Chas Newkey-Burden

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INCLUDES EXCLUSIVE BONUS CHAPTER: The Wit and Wisdom of Taylor Swift

The first 2 chapters from the full story of Taylor Swift’s stratospheric rise to fame; all any dedicated Swifty needs to know about the pop superstar who’s taking over the world.

A small-town girl with an incredible talent, and the strength to realise her dream, Taylor has grown into an award-winning, chart-topping artist and worldwide star, as well as a strong and stylish woman. But how did she get there? And what lies in store for her in the future?

From childhood dreams of a musical future in Pennsylvania, to determined and budding teen musician with a trademark she’s stayed faithful to ever since: honest lyrics about real-life events; her fight to be taken seriously in the music industry, through to the rewards of success and the intense pressure of expectation, Taylor Swift: The Whole Story is a full account of Taylor’s incredible journey, with everything you need to know about America’s Sweetheart.

This compelling book is packed full of fascinating details revealing the true Taylor – what drives, motivates and moves her, how she overcame the challenges that loomed on the road to fame and how authentic her wholesome image is, plus the truth about her relationships with Harry Styles, Jake Gyllenhaal and Conor Kennedy and who she’s really talking about on her tracks.

The full portrait of a girl who could so easily have faded into the background – but who blossomed in the spotlight into a grounded, graceful and inspiring young woman.

  • Published on: 2013-11-28
  • Released on: 2013-11-28
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Incredibly written
By Lily
So informative! Told me so much about Taylor Swift. I hope I'll get to read the full book. 100 percent love.

1 of 1 people found the following review helpful.
I would recommend it to anyone interested in country music and/or this ...
By Robert Best
I thought the book was written clearly without starry eyed embelishment. The story line starts with childhood and early school experiences which the author used to explain some of the reasons T. S. is driven. Without the cooperative parents and that drive we probably would never have heard of Taylor Swift. The book increased my esteem for the achievements of this young lady. I would recommend it to anyone interested in country music and/or this musician.

0 of 0 people found the following review helpful.
Great Read!
By Karen Gros
I really enjoyed reading this sampler of the Taylor Swift "The Whole Story" book. I also would like to state that I was very pleased with the length of the sampler. It was much longer than I expected and contained multiple chapters of the book. I found this sampler to be very enjoyable as it provided an inside look to Taylor's life growing up and leading up to her music career. I think most take it for granted that she had it made growing up and this book puts all those assumptions to rest. Yes, her parents were well off, but it didn't change the fact that she had to make her own way in the music business and also deal with peer pressure.

Great read and I look forward to completing the book soon!

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Friday, November 15, 2013

[M839.Ebook] Free PDF Kierkegaard's Critique of Christian Nationalism (Oxford Theology and Religion Monographs), by Stephen Backhouse

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'Christian nationalism' refers to the set of ideas in which belief in the development and superiority of one's national group is combined with, or underwritten by, Christian theology and practice. A critique of Christian nationalism is implicit throughout the thought of Soren Kierkegaard, an analysis inseparable from his wider aim of reintroducing Christianity into Christendom.

Stephen Backhouse examines the nationalist theologies of Kierkegaard's contemporaries H.L. Martensen and N.F.S. Grundtvig, to show how Kierkegaard's thought developed in response to the writings of these important cultural leaders of the day. Kierkegaard's response formed the backbone of his own philosophical and theological project, namely his attempt to form authentic Christian individuals through the use of 'the moment', 'the leap' and 'contemporaneity'.

This study brings Kierkegaard's critique of Christian nationalism into conversation with current political science theories of religious nationalism and reflects on the implications of Kierkegaard's radical approach. While the critique is unsettling to politicians and church leaders alike, nevertheless there is much to commend it to the reality of modern religious and social life. As a theological thinker keenly aware of the unique problems posed by Christendom, Kierkegaard's critique is timely for any Christian culture that is tempted to confuse its faith with patriotism or national affiliation.

  • Sales Rank: #1602119 in Books
  • Published on: 2011-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.40" h x 1.00" w x 9.30" l, 1.14 pounds
  • Binding: Hardcover
  • 272 pages

Review
Backhouse provides a well-researched and insightful commentary on key aspects of Kierkegaard's thought in order to indicate some potential contributions to political theology. This is a welcome achievement that will hopefully pave the way for more of its kind. Joshua R. Furnal, Theology an excellent introduction to Kierkegaard's thought, and a worthwhile addition to scholarship on an enduring figure. Gary Slater, Expository Times

About the Author

Stephen Backhouse is theTutor in Social and Political Theology for St Mellitus College, London. Originally from Canada, he has studied and worked at the Universities of McGill and Oxford. He is the author of a number of books and articles in the areas of history, politics and theology.

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Monday, November 4, 2013

[F189.Ebook] Fee Download Alabama Studio Sewing Patterns: A Guide to Customizing a Hand-Stitched Alabama Chanin Wardrobe, by Natalie Chanin

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Alabama Studio Sewing Patterns: A Guide to Customizing a Hand-Stitched Alabama Chanin Wardrobe, by Natalie Chanin

Alabama Studio Sewing Patterns: A Guide to Customizing a Hand-Stitched Alabama Chanin Wardrobe by Natalie Chanin is a companion to the Alabama Studio Series: Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design. In this final volume of the four-book series, Chanin offers, by popular demand, three new core patterns—the A-Line Dress/Tunic/Top, the Long and Short Wrap Skirt, and the Classic Coat/Jacket/Cardigan—and a guide to customizing garments to fit and flatter. For ease, convenience, and to ease its ecological footprint, this book comes with a CD rather than paper patterns. The disc contains patterns for all of the garments from the previous books in the Alabama Studio series with additional sizing for XXL, the three new patterns, plus five Alabama Chanin stencil designs, including the Polka Dot in three sizes, the popular New Leaves, and the classic Magdalena (all for readers to print as needed for their individual sewing purposes). Printed and bound in the USA.

This installment highlights: 

  • 9 core garment patterns with up to 34 standard variations, plus 3 bonus pocket patterns
  • Patterns from the entire Alabama Studio book series with the additional XXL size
  • 5 full-scale stencil designs, plus a free bonus download available from Alabama Chanin’s website (http://alabamachanin.com/resources/large-scallops-stencil-artwork)
  • Useful, convenient CD that minimizes its ecological footprint by conserving paper
  • Printed in the USA

  • Sales Rank: #39054 in Books
  • Brand: Abrams Publishing
  • Published on: 2015-04-07
  • Released on: 2015-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .75" w x 10.75" l, .64 pounds
  • Binding: Hardcover
  • 180 pages
Features
  • Alabama Studio Sewing Patterns
  • Published Year: 2015
  • Made in Singapore

About the Author
Natalie Chanin is the founder and head designer of Alabama Chanin and author of Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design. Her work has been featured in Vogue, the New York Times, and Town & Country, among other publications, and on CBS News. She is a member of the Council of Fashion Designers of America.

Most helpful customer reviews

128 of 128 people found the following review helpful.
Great book! Can be printed on a home computer, so don't be put off by the patterns located on a cd, instead of paper patterns!
By Foxy5
I have to say, this is one of my favorite sewing books I own, which is saying a lot, since I don't generally enjoy hand sewing. I grew up sewing clothing with a machine, and then took up quilting, and while I enjoy both of those pursuits, I was never interested in hand sewing anything until I read this book, and Natalie Chanin's take on clothing. I love the idea that clothing should flatter, feel comfortable, and be well made so that it lasts. I think the biggest reason I love this book is that the idea behind making a handmade wardrobe resonates with where I am in life right now; creating a wardrobe I love and that fits well means a lot more to me than chasing after the latest style fads. Not only that, but as a mom of 3 little girls, I want them to understand that we are each unique, and our worth is intrinsic, and not based on what we look like; as a result, it makes sense to dress our bodies in a way that flatters and makes us feel good about ourselves, and that celebrates who we are, instead of chasing fashion ideals that aren't realistic. That being said, I was initially disappointed when I popped the cd into my computer, only to discover that the pattern sheets were sized for a copy shop printer, and not my home printer. I have a home computer and printer, and I'm familiar with printing out pdf sewing patterns and taping them together, so I wasn't interested in going to a copy shop, and after playing around with it a little, I discovered how to print out the parts of the pattern individually (on 8 1/2 by 11 sheets of paper). After reading the previous reviews, and seeing people put off by having to print out the patterns via a copy shop, I wanted to weigh in and let you know that you Do Not need a specific tiling program to print off the patterns in 'tiles' to tape together (the book mentions this as an option, but it's not necessary if you have Adobe Reader, a free program that reads pdf. pattern files, which is the file format these patterns are stored as on the cd). Most of us already have Adobe Reader on our computers, and all you have to do is open up the file you want to print (in Adobe), go to: File, Print, and choose 'Poster' as the option for printing out the pattern. It should show you a picture of the layout of the pattern, broken up into tiles (to the right of your choices), and it should have a box that shows the tile scale, which should read 100%. I didn't change any of the measurements, printed it out using the Poster mode (to make it print the pattern out in tiles), and then double-checked the 2-inch square located on the first page of the pattern, and it was perfect! I tried this with the A-line dress pattern, and it worked like a charm. While I realize not everyone is interested in putting together paper patterns, or making a run to the copy shop, I just want to encourage those who don't mind printing patterns out at home that it can be done, and the patterns are well worth the time.

76 of 81 people found the following review helpful.
Another good Alabama Chanin book, but no paper patterns included.
By athenasgrrl
I'll get to the review in a bit, but let me say this- there are no paper patterns included, unlike the previous three books, and unless you have a tiling program and know how to use it, you can't print the patterns out yourself. You have to find a print shop, which is why I'm giving this book 3.5 stars...more on this later.

First up, let me say that this is another fine book by Natalie Chanin. Her company, Alabama Chanin, designs and creates lovely garments, beautifully hand sewn and embellished. I have all of her previous books. Where Natalie really excels is in her ability to design simple, easily constructed garments that anyone, even a novice sewer, would feel comfortable in making by hand. The real art comes in the embellishing- paint, stencils, beads and embroidery- all of it simple but with stunning results.

This book is divided into 3 sections. The first section includes directions for (and plenty of pictures of) all the patterns published in the previous Alabama Chanin (A.C.) books. This includes the new patterns- an A-line dress in 4 lengths (top, tunic, knee-ish length dress, and maxi length dress), a coat pattern in 3 lengths (cardigan, jacket and classic coat length), and a wrap skirt in 3 lengths (short, classic and maxi skirt length). It then has photos, drawings and instructions for other garments from previous A.C. books. These include a fitted dress, a t-shirt, a bolero, a fitted skirt, a poncho, a camisole (princess seamed) dress/top/skirt, the corset top (my favorite), and a swing skirt. All are shown in various lengths/versions and all are easily adaptable.

The second section is on fit and customizing their patterns and purchased paper patterns (i.e., McCall, Simplicity, etc.). This includes handy information on altering everything from necklines to waistlines and hemlines, and how to measure for a perfect fit.

The third section is on basic sewing techniques and embellishments. The sewing instructions are indeed pretty basic but probably sufficient for most people - though I would have liked to see more on actually laying out the patterns on the fabric, something that even long time sewers can have issues with. It then shows some of the embellishment techniques used on the garments in the book.

One of the best parts is the index of design choices, at the end of the book. Each garment in the book is shown in a thumb nail sized photo and includes all the nitty gritty details for making that garment - from the pattern and any adaptations, to fabric choices and all the stitches used in both garment construction and embellishment. So, if you really like a particular outfit, you can easily recreate it with the given information. Another favorite is the use of various sized models of various ages and shapes, including a plus sized model. Overall I have to say I really like the book and have only one (major) regret.

There are no paper patterns at all, not even of the new garments. Yes, there is a cd of all the patterns, but whose decision was it not to include any paper patterns? I've had this book for several days now, and waited to review it so that I could be fair about this point. The previous 3 books included paper patterns and I expected this one would have the new patterns on paper, as well as the others on cd. The real salt in the wound was the casual aside - Take the cd to any print shop and have them print the patterns. They also state that unless you have a tiling program on your computer, it's not really possible to print them on your home printer. Honestly? I'm not going to shlep around looking for a print shop that will do this. I'm not sure about kinko's, etc., but most print shops won't want to be bothered with anything that isn't a large volume order. I truly didn't expect all the patterns to be printed on paper, just the new ones.

I honestly don't believe this was Natalie Chanin's decision. I may be wrong, but it seems like the kind of money saving decision a publisher would make, not someone who has spent so much time and effort encouraging others to create their own hand made garments. Part of the A.C. books appeal was the ability to take out the patterns from the back of the books and just start sewing. You didn't even have to buy fabric - the corset top is sewn from an old t-shirt. How great is that?

I know I might catch some flack for what some might see as a negative review. It really isn't negative. The whole appeal of the A.C. style is that everything from start to finish is designed for easy sewing and crafting. You open the book, see the gorgeously photographed clothes, can pick one out and dive right in because the pattern is right there. Not with this book. I'm such a fan though, that I still think this book is worth getting.

The good news is that the new patterns are simple enough to be recreated from the illustrations, previous A.C. patterns, or purchased paper patterns. If you've never sewn before or are a novice hand-sewer, get Natalie's third book, 'Alabama Studio Sewing + Design' first. It's the most in-depth of all four books and has more information on embellishment than all the others put together. It's my favorite. The other good news is that all three previous books are still available in print (brand new) and includes the patterns. Definitely worth it!

61 of 65 people found the following review helpful.
fantastic AC patterns & general guide on how to adjust patterns to fit your body.
By optimystik1
After checking Natalie Chanin's last book out of the library and stitching one of the tops I pre-ordered this book and I received it in the mail yesterday afternoon. I have to say that I am not disappointed.

The patterns it contains are worth the price alone, but the book is filled with great info on adjusting patterns to fit your individual body that will be useable way beyond adjusting and constructing any one of the admittedly lovely patterns contained here. That is really what the bulk of the book is about.

The rest is a basic techniques section and stitch guide for processes that are used to make the garments,and instructions for garments -but don't expect a hand holding highly detailed step by step instruction guide to each project- there is enough instruction for folks who can work independently and refer to the techniques in the back, but
construction photos are not included, just finished garments and diagrams. (If you want to see it in action or need more instruction, I suggest taking Ms. Chanin's class on craftsy. )

This book has a great section in the back that names the techniques used in the garments that are photographed in the book-including fabric weight, thread color, which stencil was used, seam style, etc. That you can use to recreate the examples.

I haven't popped the CD into my computer yet to print off patterns, but I'm excited to do so. I'll update once I do.

***UPDATE*** so I have now printed the patterns from the CD, and they pop up as PDFs in adobe as single large pages- They are not automatically tiled like some you find nowadays. For those folks who think you need to head to the copy shop to print out a large sheet, you don't, its just a matter of changing your printer settings. Chose file> Print, and from the page scaling menu, select tile large pages. Then select cut marks and labels so you can organize the paged and so you can see where you tape your printed pages together as the edges overlap. ( https://helpx.adobe.com/acrobat/kb/print-posters-banners-acrobat-reader.html if you want images and clearer instructions than mine )

I'm excited to get sewing!

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