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“Heavy metal’s leading female rocker (Rolling Stone) bares all, opening up about the Runaways, the glory days of the punk and hard-rock scenes, and the highs and lows of her trailblazing career
Wielding her signature black guitar, Lita Ford shredded stereotypes of female musicians throughout the 1970s and ‘80s. Then followed more than a decade of silence and darkness—until rock and roll repaid the debt it owed this pioneer, helped Lita reclaim her soul, and restored the Queen of Metal to her throne.
In 1975, Lita Ford left home at age sixteen to join the world’s first major all-female rock group, the Runaways—a “pioneering band” (New York Times) that became the subject of a Hollywood movie starring Kristen Stewart ad Dakota Fanning. Lita went on to become “heavy rock’s first female guitar hero” (Washington Post), a platinum-selling solo star who shared the bill with the Ramones, Van Halen, Motley Crue, Bon Jovi, Def Leppard, Poison, and others and who gave Ozzy Osbourne his first Top 10 hit. She was a bare-ass, leather-clad babe whose hair was bigger and whose guitar licks were hotter than any of the guys’.
Hailed by Elle as “one of the greatest female electric guitar players to ever pick up the instrument,” Lita spurred the meteoric rise of Joan Jett, Cherie Currie, and the rest of the Runaways. Her phenomenal talent on the fret board also carried her to tremendous individual success after the group’s 1979 disbandment, when she established herself as a “legendary metal icon” (Guitar World) and a fixture of the 1980s music scene who held her own after hours with Nikki Sixx, Jon Bon Jovi, Eddie Van Halen, Tommy Lee, Motorhead’s Lemmy, Black Sabbath’s Tony Iommi (to whom she was engaged), and others.
Featuring a foreword by Dee Snider, Living Like a Runaway also provides never-before-told details of Lita’s dramatic personal story. For Lita, life as a woman in the male-dominated rock scene was never easy, a constant battle with the music establishment. But then, at a low point in her career, came a tumultuous marriage that left her feeling trapped, isolated from the rock-and-roll scene for more than a decade, and—most tragically—alienated from her two sons. And yet, after a dramatic and emotional personal odyssey, Lita picked up her guitar and stormed back to the stage. As Guitar Player hailed in 2014 when they inducted her into their hall of fame of guitar greats: “She is as badass as ever.”
Fearless, revealing, and compulsively readable, Lita Ford’s Living Like a Runaway is the long-awaited memoir from one of rock’s greatest pioneers—and fiercest survivors.
- Sales Rank: #128038 in eBooks
- Published on: 2016-02-23
- Released on: 2016-02-23
- Format: Kindle eBook
Review
“Fearless. ... A vivid account of life as ‘the one-and-only guitar-playing rocker chick who could shred like I did.’ ... A fast-paced read... and an inspiring one.” (Rolling Stone)
“[A] fun, often hilarious coming-of-age memoir of a rocker chick who can rip through serious lead guitar solos as good -- or usually better -- than the next guy. ... Delightfully detailed. ... [Ford] tells plenty of colorful ‘80s rocker stories. ... Freewheeling.” (Philadelphia Inquirer)
“[A] tell-all book. ... No one lived larger than sexy heavy-metal guitarist and singer Lita Ford.” (New York Post)
“Ford is a surprisingly skilled raconteur - or is that rock-conteur. … The sex scenes provide the juice, but when she talks about learning solos straight from Blackmore, or out-jamming Holmes on stage, or writing songs with Osbourne, Ford proves that at heart she’s a great guitarist.” (Los Angeles Times)
“Heavy rock’s first female guitar hero.” (Washington Post)
“Heavy metal’s leading female rocker.” (Rolling Stone)
“One of the greatest female electric guitar players to ever pick up the instrument.” (Elle)
“Lita Ford is the coolest and most rock-n-roll female guitarist I ever heard. No guitarist-male or female-ever looked better with a Hamer Explorer than Lita.” (SLASH)
“The mother of all metal.” (Los Angeles Times)
“[A] legendary metal icon.” (Guitar World)
“Lita Ford, the shredding lead guitarist for the world’s first all-female rock band, the Runaways, tells her remarkable tale in Living Like a Runaway, a wild-ride musical memoir.” (Parade)
“Revealing [and] memorable. ... A celebration of Ford’s iconoclastic, take-no-shit spirit.” (Consequence of Sound)
“A chronicle of life as a woman in the male-dominated metal scene, Living Like a Runaway has been netting rave reviews; who says you can’t raise up the metal horns for a little literature?” (Gothamist)
“Required reading for any aspiring musician. ... Frank and funny. A page turner.” (Goldmine)
“Jam packed with stories of a truly eventful -- and impressive -- rock and roll life.” (Guitar World)
From the Back Cover
“Heavy metal’s leading female rocker” (Rolling Stone) bares all, opening up about the Runaways, the glory days of the punk and hard-rock scenes, and the highs and lows of her trailblazing career
Wielding her signature black guitar, Lita Ford shredded the stereotypes of female musicians throughout the 1970s and ’80s. Then followed more than a decade of silence and darkness—until rock and roll repaid the debt it owed this pioneer, helped Lita reclaim her soul, and restored the Queen of Metal to her throne.
In 1975, Lita Ford left home at age sixteen to join the world’s first major all-female rock group, the Runaways—“a pioneering band” (New York Times) that became the subject of a Hollywood movie starring Kristen Stewart and Dakota Fanning. Lita went on to become “heavy rock’s first female guitar hero” (Washington Post), a platinum-selling solo star who shared the bill with the Ramones, Van Halen, Mötley Crüe, Bon Jovi, Def Leppard, Poison, and others and who gave Ozzy Osbourne his first Top 10 hit. She was a bare-ass, leather-clad babe whose hair was bigger and whose guitar licks were hotter than any of the guys’.
Hailed by Elle as “one of the greatest female electric guitar players to ever pick up the instrument,” Lita spurred the meteoric rise of Joan Jett, Cherie Currie, and the rest of the Runaways. Her phenomenal talent on the fret board also carried her to tremendous individual success after the group’s 1979 disbandment, when she established herself as a “legendary metal icon” (Guitar World) and a fixture of the 1980s music scene who held her own after hours with Nikki Sixx, Jon Bon Jovi, Eddie Van Halen, Tommy Lee, Motörhead’s Lemmy, Black Sabbath’s Tony Iommi (to whom she was engaged), and others.
Featuring a foreword by Dee Snider, Living Like a Runaway also provides never-before-told details of Lita’s dramatic personal story. For Lita, life as a woman in the male-dominated rock scene was never easy, a constant battle with the music establishment. But then, at a low point in her career, came a tumultuous marriage that left her feeling trapped, isolated from the rock-and-roll scene for more than a decade, and—most tragically—alienated from her two beloved sons. And yet, after a dramatic and emotional personal odyssey, Lita picked up her guitar and stormed back to the stage. As Guitar Player hailed in 2014 when they inducted her into their hall of fame of guitar greats: “She is as badass as ever.”
Fearless, revealing, and compulsively readable, Lita Ford’s Living Like a Runaway is the long-awaited memoir from one of rock’s greatest pioneers—and fiercest survivors.
“It was in the late spring of 1984 when I finally met Lita in person. Twisted Sister was just starting to tour, promoting our Stay Hungry album, and Lita Ford was the opener, working her second solo album, Dancin’ on the Edge. Having never gotten to see the Runaways live, I was truly impressed not only by Lita’s performing but also by her guitar playing. Here was a girl who could really play! And I’m not talking playing good ‘for a girl,’ I’m talking playing good for anybody. Lita Ford could wail, and night after night she rocked the house. Let’s face it, up to that point, with rare exception, a ‘female rocker’ was pretty much viewed as an oxymoron. Lita Ford was standing flat-footed on the stage each night, wearing denim and leather, shredding on her guitar, and daring anyone to deny her right to be there. And nobody could. Lita Ford was just what the women’s movement in the rock-and-roll world needed.”—Dee Snider, Twisted Sister, from the foreword
Praise for Lita Ford and Living Like a Runaway
“Lita Ford is the coolest and most rock-and-roll female guitarist I ever heard. No guitarist—male or female—ever looked better with a Gibson Explorer than Lita.”—SLASH
“Lita? Now there’s one hot guitar maestro who has a hell of a story to tell. This book begs to be a film. Lita’s always been the best!”—ROBIN ZANDER, Cheap Trick
“Lita Ford is the Queen of Rock. There are some musicians who fall off the path, and there are others who blaze their own trails. Lita took the latter and refused to be ignored in a primarily man’s world. Lita will never leave us, ’cause she is the real deal.”—GLENN HUGHES, Trapeze, Deep Purple, and Black Sabbath
“Not only did Lita Ford compete in a predominantly male-occupied world, but she also showed all the testosterone-and-adrenaline-driven rock guys how to do it. She came out guns blazing, a singer-guitarist heroine who brought the angst, the (bombshell) sex appeal, the ‘never say die’ attitude, and—dare I say it—the balls to show how it’s done. And many years later, when so many others have hung up their spandex leggings in favor of a midlife gut, she is still here.”—PHIL SOUSSAN, Ozzy Osbourne, Billy Idol, and The Vince Neil Band
About the Author
Lita Ford was the lead guitarist of the Runaways before embarking on her platinum-selling, Grammy-nominated solo career. In 2014 Lita received Guitar Player’s Certified Legend Award and was inducted into their Hall of Fame. She lives in Southern California.
Most helpful customer reviews
55 of 62 people found the following review helpful.
Interesting for What it Says, and for What it Doesn't Say
By Muneraven
If you want a rock and roll kiss and tell book, Lita gives you that. Some of the stories are entertaining and satisfying because they are cool (Ritchie Blackmore) or funny (Eddie Van Halen) and others will make you sad because drug abuse can wreck people.
Don't expect insight into The Runaways. Other than outing some people who, as far as I know, never asked to be outed, you'll get nothing new here.
However, the book is most eloquent when you contrast the various things Lita says with other things she says. Her emotional instability lurks on almost every page but she clearly does not see this as a problem. The book is almost a study in what a person with a lack of self-awareness looks like. In one moment Lita is proud of her physically violent reactions to disagreements with people, in the next moment she is painting a portrait of herself as a kind person. I got whiplash as I tried to understand who Lita is from her own words. At the end of the book I understood: Lita is a person of extreme moods and she sees the world and those she meets through whichever emotional lenses she is wearing at any given moment. I'm not being snarky when I say that a good doctor might be able to help her even things out.
The saddest and most horrible part of the book is the part about her children. Because it came at the end, I had a lot of trouble picturing Lita as the perfect angel of a mother she says she was. That she lost all parental rights and visitation is terribly sad, but based on her own portrayal of herself, along with my knowledge of how reluctant the justice system is to remove even a bad parent from all contact with his or her children, her version of events didn't ring true at all. I don't doubt that Lita Ford loves her kids. I don't know her or her ex-husband, so I don't know what really happened. But a person who erupts into violence throughout her life and sees such incidents as positive or funny doesn't suddenly transform into the perfect mother. Bad-tempered people who have roller coaster emotions bring those traits to parenting unless they get a lot of counseling. This just made the whole section about her children a very tragic read, for me.
One last point: Lita Ford's lack of respect for Joan Jett is jarring in this book. Whether you like Joan Jett's music or not, there is no denying that she has remained true to her musical style and has worked constantly on tour for forty years. She is cited as an influence by so many rock musicians. She is in the Rock and Roll Hall of Fame. As the book goes on, Lita's resentment of Joan gets more and more weirdly petty. Joan didn't hug her back during a surprise backstage visit. Joan sounded tired on the phone. I guess, if that's the worst one can come up with, it says something about how Joan Jett conducts herself, lol, but there was no hint of respect for Lita's former bandmate's music in this book.
Lita Ford can play the guitar. She can strut and rock as well as any guy ever. Props to her for that. And props to her for having a life full of wild stories to share. I enjoyed many of her escapades. As for her personal life: I hope she finds balance and peace and that some of her frayed relationships are mended.
1 of 1 people found the following review helpful.
Runaway
By Randy T
I bought this book after a spur of the moment trip to Omaha from Lincoln to see a Lita Ford concert. Once the show started I must have told the family members I was with "gosh Damn she can play that guitar", at least 3 or 4 times during the show. The concert was awesome and at the end of the show Lita had mentioned that she had a book available, so I thought I would check it out. The concert was great, the book was great, and I hope that one day Lita gets everything in her life in order. If she is ever back this way again we will definitely go she her shred that guitar some more! Thanks for the great read.
0 of 0 people found the following review helpful.
Kiss and don't tell would have been a better way.
By C. Re-Fowlks
Kiss and don't tell would have been a better way... I wanted to hear more about her music and less about the knotches on her belt and some of the mean things shes done. A bit disappointed. She's not as classy as I originally thought.
But, I will say when I saw her in person recently she sounded great. I was impressed with the show. It was at a small club. But, the acoustics were good and her energy comes across as a powerful female musician. I would say, save your money on the book and go see her live.
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