my ebooks: May 2012

Saturday, May 26, 2012

[H517.Ebook] PDF Ebook Alberto Burri: The Trauma of Painting, by Emily Braun, Megan Fontanella, Carol Stringari

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Published to accompany a major retrospective exhibition--the first in the United States in more than 35 years and the most comprehensive ever mounted--this title showcases the pioneering work of Italian artist Alberto Burri (1915-95). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works.
Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and markmaking of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances--and his abject picture-objects--also profoundly influenced Arte Povera, Neo-Dada and Process art.
Alberto Burri was born in Italy in 1915. He first garnered attention in the US in the early 1950s when his work was included in the group exhibition Younger European Painters at the Guggenheim Museum and was also shown at the Frumkin Gallery, Chicago, and at the Stable Gallery, New York. In 1977 a retrospective was presented at the University of California's Frederick S. Wight Gallery, Los Angeles, and traveled to the Marion Koogler McNay Art Institute, San Antonio, Texas, and the Guggenheim Museum (1978). He died in Nice, France, in 1995.

Sales Rank: #602056 in Books
Published on: 2015-10-27
Original language: English
Number of items: 1
Dimensions: 11.60" h x 1.20" w x 10.00" l, 4.20 pounds
Binding: Hardcover
280 pages

Review
...the catalogue accompanying the exhibition is a lodestone of information about Burri. Not only has Emily Braun, who supervised this exhibition, unearthed a wealth of information, but she has also written a substantial essay, “The Trauma of Painting,” that is wonderfully absent of academic jargon and hyperbole, making it a pleasure to read. (John Yau Hyperallergic)

In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, “Alberto Burri: The Trauma of Painting” (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri’s art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements—Neo-Dada, Process Art, Arte Povera and more. (Roberta Smith The New York Times)

[Alberto Burri: The Trauma of Painting] reveals how the artist succeeded in deconstructing Western ideologies and, in that process, devised a singular language of his own. (Essential Homme)

About the Author
Emily Braun is professor of art history at Hunter College and the City University of New York. Kathleen Brunner is an independent art historian.

Emily Braun is professor of art history at Hunter College and the City University of New York. Kathleen Brunner is an independent art historian.

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10 of 11 people found the following review helpful.
A Superb Survey Of A Master Abstract Artist
By Tom Furgas
This incredible survey of the varied and highly inventive work of Burri is a must-have for all lovers of 20th Century abstract art. Burri was not your run-of-the-mill bon vivant slashing out abstracts as if it were a game or a hobby. These works are rooted in his painful and indeed traumatic experiences during the "great war". A medical doctor, Burri turned to art during his incarceration in a prisoner-of-war camp in Texas, and soon developed his unique style using humble materials such as burlap, tar, and, later, sheet plastics. These works reveal their inherent beauty only through careful looking and consideration. The essays in this volume are highly informative and help one to understand better the choices Burri made in developing his original and provocative art making. A very beautiful volume. Wish I could see the exhibition, but since I cannot travel to New York to see it, this book is the next best thing.

3 of 3 people found the following review helpful.
The Trauma of Painting is a Joy
By Michael M. Smith
This is one of the best books on any artist I have seen and read. Emily Braun's writing is a pleasure to read. It is precise, insightful, and clear of art world puffery and jargon. The reproductions of Alberto Burri's works are exceptional, and the graphic design of the book is superb.

Prior to receiving this book I was aware of Burri's work, but I had seen little of it and I knew next to nothing of his life. Ms. Braun does a wonderful job of situating the man and his art in the history and events that formed him. This is a book well worth reading and having. It will broaden and deepen your appreciation and understanding of Alberto Burri and the transformative power of art.

3 of 4 people found the following review helpful.
burri rules!
By Juana DeBoyce
finally. this excellent book focuses on an artist too few people know. pushing boundaries with unexpected materials -- that's the ticket!

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Tuesday, May 22, 2012

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This book deals with matters of embodiment and meaning—in other words, the essential components of what Continental thought, since Heidegger, has come to consider as “communication.” A critical theme of this book concerns the basic tenet that consciousness of one’s Self and one’s body is only possible through human relationship. This is, of course, the phenomenological concept of intersubjectivity. But rather than let this concept remain an abstraction by discussing it as merely a function of language and signs, this work attempts to explicate it empirically. That is, it discusses the manner in which—from infancy to childhood and adolescence (and the dawning of our sexual identities) through physical maturity and old age—we come to experience the ecstasy of what Merleau-Ponty has so poetically termed “flesh.”

It is rarely clear what someone means when she or he uses the word “communication.” An important objective of this book is, thus, to advance understanding of what communication is. In academic discourse, “communication” has come to be understood in a number of contexts—some conflicting and overlapping—as a process, a strategy, an event, an ethic, a mode or instance of information, or even a technology. In virtually all of these discussions, the concept of communication is discussed as though the term’s meaning is well known to the reader. When communication is described as a process, the meaning of the term is held at an operational level—that is, in the exchange of information between one person and another, what must unambiguously be inferred is that “communication” is taking place. In this context, information exchange and communication become functionally synonymous. But as a matter of embodied human psychological experience, there is a world of difference between them. As such, this book attempts to fully consider the question of how we experience the event of human communication. The author offers a pioneering study that advances the raison d’être of the emergent field of “communicology,” while at the same time offering scholars of the human sciences a new way of thinking about embodiment and relational experience.

Sales Rank: #2961493 in Books
Published on: 2014-12-24
Original language: English
Number of items: 1
Dimensions: 9.42" h x .91" w x 6.39" l, .0 pounds
Binding: Hardcover
258 pages

Review
The aim of this book is to show that 'communicology is the human science best able to address the manner and motif in which persons connect and attach to each other.' Drawing on . . . a variety of humanistic thinkers—such as Maurice Merleau-Ponty, Michel Foucault, Erik Erikson, and Georges Bataille—Macke challenges the technocratic empiricism that upholds a rationalistic and reductive view of communication and outlines and advocates for an embodied and interpersonal perspective. A seasoned scholar in his field, Macke addresses topics such as intimacy, sexuality, and dreams in some detail. . . .This is a scholarly book rich in insights and interdisciplinary in scope, focused primarily on communicology. Summing Up: Recommended. Graduate students, researchers, faculty, professionals. (CHOICE)

Frank Macke's book has enormous implications for the human and social sciences generally and for study of communication in particular. The text is a fresh, bold, intellectually challenging, and at times courageous critique of our taken-for-granted social connections and psychological attachments and the disciplines by which we have heretofore repressed or superficially understood these experiences. This is a work of vitality, of embodied corporeality, and it is about the same. Macke's book has the potential to radically alter communication as a concept and field of endeavor. (Isaac E. Catt, Isaac E. Catt, Visiting Scholar, Simon Silverman Phenomenology Center at Duquesne University, Fellow, International Communicology Institute, and co-editor, Communicology: The New Science of Embodied Discourse)

Frank Macke offers a thoughtful examination of a communication theory that unites evidence and ambiguity. Macke articulates communicology as a human science that dwells within the interplay of everyday human existence, unwilling to retreat into a realm above the fray of humanity. Macke contributes significantly to our understanding of communication with this volume. (Ronald C. Arnett, Duquesne University, author of Communication Ethics in Dark Times: Hannah Arendt's Rhetoric of Warning and Hope)

Professor Macke asks an embarrassing question: Where is the “human” in communication taught in the American classroom and experienced in the typical family? Cutting through decades of superficial talk about “sharing messages,” he then asks an old fashioned question: What’s the point of talking? With extraordinary clarity and precise scholarship, he helps us understand the psychology of how we come to embody a sense of self-worth and why that emotion matters in the shared community of speech around us: family, friends, strangers. The Experience of Human Communication is a “must read” answer for everyone with a positive interest in today’s society and culture. (Richard L. Lanigan, Director and Fellow, International Communicology Institute, Washington, DC, and University Distinguished Scholar and Professor of Communicology, School of Communication, Southern Illinois University)

We’re so used to saying that ‘one cannot not communicate.’ Frank Macke challenges this maxim: we can not communicate—look around you, see how people try to connect with one another, only to fail. The thrust of Frank Macke’s book is de-structuring and transformative: he takes the suppressed potential of communication understood scientifically and helps to unbracket and liberate it as expressed relationality. In this thought-provoking work, Macke provides insights into the human communicative experience and advances the science of Communicology. Anyone who reads this book will find it a transformative and richly rewarding experience. (Igor E. Klyukanov, Professor of Communication Studies, Eastern Washington University)

About the Author
Frank J. Macke is professor of semiotics, rhetoric, and communication theory at Mercer University.

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1 of 1 people found the following review helpful.
Fresh perspective
By Bridget Wolf
Frank J. Macke's book provides insight into how communication at every level is an essential element of our human relationships, emotionally, socially and culturally.

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Sunday, May 20, 2012

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Published on: 1950
Binding: Paperback

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Sales Rank: #3244300 in Books
Published on: 1985
Dimensions: .71" h x 5.51" w x 8.35" l, .53 pounds
Binding: Paperback
251 pages

Features

Refusing to Go to Bed
Colic and other medical problems
Insomnia
Night terrors
Bedwetting

Most helpful customer reviews

1 of 1 people found the following review helpful.
It works! And, it's not as scary as it seems!
By midiya
This book has made a HUGE difference in my family! My husband and I were very anti-sleep training, but our 5 month old was becoming a worse and worse sleeper and we were all suffering. After trying a variety of co-sleeping and no-cry methods, I finally decided to read Ferber's book. The science and research in this book convinced me to try it. I learned all about sleep associations and how my son had some that were really making it impossible for him to sleep independently. Ferber gives an analogy that led to my aha moment: Imagine you went to sleep in your bed with the conditions you're used to: same bed, pillow, blanket, lighting, etc, but then woke up on your living room floor. You would be completely confused and would probably find it very difficult to go back to sleep. This is what happens to babies when they are nursed/rocked to sleep and then placed in another environment already asleep--they wake up confused and unable to go back to sleep. Therefore, babies need to learn how to fall asleep on their own in order to get good quality sleep so that when they wake up they aren't confused and having to adjust to new conditions. This principle makes so much sense that I became willing to try letting my son cry for a bit in order to learn how to fall asleep independently.

The first night was pretty hard. My son whimpered for a bit, then cried as if he was going to die for about 15 minutes. We followed Ferber's recommendations of going in to reassure the baby you're still there for him (without picking him up). He stopped crying and had fallen asleep within 20 minutes. He woke up 2 hours later and cried for about 10 minutes, so my husband went in and patted/talked to him. He then slept for about six hours, woke to nurse and went right back to sleep (no tears) for about three more hours. Previously he had been waking constantly throughout the night, sometimes every 30 minutes.

The second night, he cried for ZERO minutes and was asleep within five minutes. He woke up once to nurse, and then slept until seven AM.

The third night, he cried for ZERO minutes, so now I am writing this review to let parents know that this method worked for my family. My husband and I, who previously believed this method was cruel and not something we'd ever try, have come to the realization that those 15 minutes of crying have led to a child (and a mom and dad) who are MUCH more likely to get some decent sleep and be able to function in the daytime. I think we actually did a very good thing for our child!

A few caveats from our experience: we had a solid bedtime routine for at least a month leading up to this (bath, book, songs, nurse to sleep). We moved the nursing session to right before bath, and kept everything else the same except putting him down awake in his crib. I think having this routine established before trying the Ferber techniques led to us only having one evening of crying and such an easy time with the process. Additionally, the second night I put my son in his pajamas and in a Halo swaddle sack (arms out), and it's possible that snug feeling of the swaddle helped him go right to sleep as well.

1 of 1 people found the following review helpful.
No more sleepless nights!!
By Jen S
Our second child was 9-months old and still would not sleep through the night. What made this worse is she would only go to sleep (or back to sleep) if she was given a bottle and rocked. Both my husband and I work full-time so we were exhausted. We could not keep waking up with her 3-5 times a night and still function the next day. We were frustrated and had to teach her to sleep, which this book helped us do...in five nights!

Pros:
- Only took 5 nights and she slept through the night
- By 7 nights she was not eating 2-3 bottles a night
- This was not expected, but she is sooo much happier now! Completely different kid now that she's getting adequate sleep!
- Easy read and thorough. The examples make complete sense and I love that it gives exact steps to follow.

Cons:
- Hard to listen to the baby cry with consoling her. We put our video monitor in there so I could watch her and make sure she was okay.
- Our child was stubborn so the first night it took 2.5 hours of crying before she fell asleep. The next night took 1.5 hours. It lessened each night, but prepare for a long night and do it when you don't have anywhere to be the next day because they also have to put themselves back to sleep when they wake up at night...which takes forever!

Overall, it was a tough week, but completely worth it! I would recommend this to anyone. Never once did I feel like I was neglecting my child and we are both so much happier now that we're getting adequate sleep.

2 of 2 people found the following review helpful.
It works
By Amazon Customer
Like most parents, the sound of my baby crying is the worst sound in the world. For this reason, I delayed trying the Ferber method even though I knew rocking my 9 month old daughter to sleep every night was probably unwise, especially because she woke up crying multiple times every night. Out of desperation, I tried the Ferber method, exactly as described in this book. It took only three nights before my daughter stopped crying at bedtime. Now, I don't have to spend 30 minutes to an hour rocking her to sleep. She now reliably goes to sleep every night, with no tears, and with a minimum of fuss. She sleeps pretty much through the night every night.

I can't recommend this book highly enough.

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Sales Rank: #11294004 in Books
Published on: 1982
Binding: Paperback

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